Stereo Embers The Podcast: Michael De Barres (The Power Statuon, Chequered Past)
Written by on 10/09/2024
“It’s Only Rock and Roll”
There’s a lot to tell about Michael De Barres, but let’s start with the music. In the early ’70s, the Sussex-born singer/songwriter fronted the glam rock band Silverhead, who were signed to Deep Purple’s label. He decided to try his luck on the West Coast, moving to L.A. and fronting the rock/soul outfit, who were signed to Led Zeppelin’s Swan Song Records. In ’82, De Barres formed the hard rock band Chequered Past with Steve Jones of The Sex Pistols and Clem Burke of Blondie. That band opened for folks like INXS and Duran Duran and that Duran Duran association proved auspicious as DeBarres was invited by Andy Taylor to replace Robert Palmer as the singer of The Power Station. I know I said De Barres was a rock and roll chameleon, but at this point he sounds more like a rock and roll shark, doesn’t he? He never stops moving. De Barres fronted The Power Station at Live Aid and along the way he co-wrote “Obsession” with Holly Knight, which became a global hit for Animotion, he put out fabulous solo records, fronted another band called The Mistakes and in 2013 he joined the Los Angeles Philharmonic for the world premiere of 200 Motels: The Suites, by Frank Zappa in which he appeared as Rance, the narrator. We’ll get to his new album in a second, but let’s talk about his acting first. De Barres has so many IMDB credits, it’s dizzying. Getting his start at age eight, he’s appeared in over 100 television shows and close to fifty movies. Let me run through a few because it’s nuts: All you ’80s kids might remember him in The Ghoulies, but he was in To Sir With Love, Under Siege, and David Lynch’s Mulholland Drive and on television he was on Roseanne, Just Shoot Me, Frasier, Seinfeld, St. Elsewhere and MacGyver. De Barres is a true rock and roll chameleon, because, like a chameleon, he’s able to effortlessly change from situation to situation. That subtle shapeshifting quality makes folks like De Barres able to basically do whatever he wants because he has massive range and can move through the cultural space with otherworldly ease. De Barres’ new album It’s Only Rock and Roll is an affectionate tipping of the hat to the songs of the ’70s that he loves. From Roxy Music’s Love Is The Drug to Sweet’s Fox On The Run to the Faces’ Stay With Me, this is a scorcher of a record that features De Barres sounding better than ever–his delivery still has the same muscular pounce and raw elegance and the 12 songs here are delivered with equal parts affection, admiration and grace. And this interview? An absolute blast.
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