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\r\n This Week \u2013 Episode #995
(03\/26\/2021)<\/strong>
\u201cWe Aren\u2019t Batting A Thousand For Another Four Shows. My Goal Is To Make Sure That Each Of Those Will Be Better Than Average. So, I\u2019m Going To Give It A Shot! Oh, And By The Way, Spring Is Here!”<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/figure>\r\n\r\n\r\n\r\n\r\n\r\n
\r\n \u00a0<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/figure>\r\n\r\n\r\n\r\n \r\n\r\n
\r\n Opening Song<\/strong><\/td>\r\n<\/tr>\r\n \r\n I\u2019m The Urban Spaceman \u2013 Bonzo Dog Band (Edsel)<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/figure>\r\n\r\n\r\n\r\n \r\n\r\n
\r\n Set #1 Some Songs Are More Epic Than Others. These Next Ones Are Kind Of Thelma And Louise Meets, Uh, Films That Aren\u2019t Quite As Adventurous!<\/strong><\/td>\r\n<\/tr>\r\n \r\n Baby The Rain Must Fall \u2013 Glenn Yarborough (RCA Victor)<\/td>\r\n<\/tr>\r\n \r\n Crush Story \u2013 Too Much Joy (WEA)<\/td>\r\n<\/tr>\r\n \r\n Dogtown \u2013 The Spent Poets (Geffen)<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/figure>\r\n\r\n\r\n\r\n \r\n\r\n
\r\n Set #2 As I Mentioned It\u2019s Spring! This Time Last Year, Rain And May Flowers Were The Last Thing We Were Paying Attention To. Now I Think We\u2019ve Got A Shot At Somehing A Bit More, Inspiral-ing.<\/strong><\/td>\r\n<\/tr>\r\n \r\n Crying In The Rain \u2013 The Everly Brothers (Warner Bros)<\/td>\r\n<\/tr>\r\n \r\n Don\u2019t Let The Rain Come Down \u2013 The Serendipity Singers (Philips)<\/td>\r\n<\/tr>\r\n \r\n Spring Fever \u2013 Orleans (Asylum)<\/td>\r\n<\/tr>\r\n \r\n Commercial Rain \u2013 Inspiral Carpets (Cow)<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/figure>\r\n\r\n\r\n\r\n \r\n\r\n
\r\n Set #3 If You Arrive In A Small Town And Meet A Guy Or A Girl In A Bar, Remember, Your Big City Ways And Dress Might Not Impress. In Fact They Might Gum Up The Works, So To Speak!<\/strong><\/td>\r\n<\/tr>\r\n \r\n Local Girls \u2013 Graham Parker (Arista)<\/td>\r\n<\/tr>\r\n \r\n I\u2019m Running After You \u2013 Major Hooples Boarding House (Private Stock)<\/td>\r\n<\/tr>\r\n \r\n Feelings \u2013 The Grass Roots (Dunhill)<\/td>\r\n<\/tr>\r\n \r\n Indian Giver \u2013 1910 Fruitgum Company (Buddah)<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/figure>\r\n\r\n\r\n\r\n \r\n\r\n
\r\n Set #4 While There\u2019s Nothing Inherently Bizarre Here, The Combination of Musical Flavors Are Like A Fine Red Wine. Earthy, International Notes That Won\u2019t Fade Over Time!<\/strong><\/td>\r\n<\/tr>\r\n \r\n How Bizarre \u2013 OMC (Mercury)<\/td>\r\n<\/tr>\r\n \r\n (I Know) I\u2019m Losing You – Rare Earth (Rare Earth)<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/figure>\r\n\r\n\r\n\r\n \r\n\r\n
\r\n Closing Song<\/strong><\/td>\r\n<\/tr>\r\n \r\n Harlem Nocturne \u2013 The Viscounts (Vulture)<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/figure>\r\n\r\n